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FIFTY SHADES OF GREY SONGS MOVIE
"Shying away from some of the freakier elements of Fifty Shades of Grey, it's all about the uncontrollable feeling of falling in love and being with the right person," Carolyn Menyes wrote.Īs you can see below (via NME), there are similar cuts to Goulding's that focus on the magic of love, but also a selection of tunes with a twist to them, so to speak:Ġ6. Fifty Shades Freed Soundtrack, find all 60 songs from the Fifty Shades Freed (2018) movie music soundtrack, with scene descriptions. The most recent single from the soundtrack is Ellie Goulding's "Love Me Like You Do," which Music Times noted was "romantic" more than anything else. James is notably erotic, with the plot centering on a BDSM (sexual dominance and submission, roleplaying, etc.) relationship between main characters Christian Grey and Anastasia Steele. There's so much more going on than that." "I mean, we are going to tell a love story, you know, it can't just be what happens in the Red Room, that's not a film.
"The love story is more important than the BDSM aspect," Dornan recently said. Albeit, with a little freakiness thrown in. 13 - was released Friday, there was a clear theme of love across the song titles. So when the official soundtrack tracklist for the forthcoming movie - in theaters Feb. According to star Jamie Dornan, at least. group behind the bombastic alt-rock hit “Sail.Fifty Shades of Grey is a love story. More surprising than that is a delicate, low-key cover of Bruce Springsteen’s “I’m on Fire” by Awolnation, the L.A. Other strong selections come from Jessie Ware, who slinks through the Prince-ly “Meet Me in the Middle” with an earthiness she rarely musters, and Ellie Goulding, who puts across a tender sensuality in “Love Me Like You Do” even as super-producer Max Martin jacks the stadium-rave beat. “I’m so used to being used / So I love when you call unexpected,” he sings, and it might be the first time he’s made a late-night hook-up sound like something other than an act of war. The Weeknd takes the opposite approach for “Earned It (Fifty Shades of Grey),” letting some orchestral air (and a glimmer of emotional hope) into his claustrophobic electro-soul. Ditto a new version of “Crazy in Love” that remakes her effervescent 2003 single as a bruised, heavy-breathing slow jam. She sounds even steamier in Michael Diamond’s remix of “Haunted” than she did in the original, from her plenty-raunchy 2013 album. Will they find success? The Beyoncé cuts are up to the task. This Valentine’s Day weekend, it seems safe to say, folks will be optimistically turning to this album. It’s an accessory to an accessory, in other words.Īnd because “Fifty Shades” draws from a lifestyle more real-world replicable than those in “Twilight” or “The Hunger Games,” its companion album has a perceived practical value. Like the carefully assembled “Twilight” and “Hunger Games” soundtracks, the “Fifty Shades of Grey” album corrals a bunch of buzzy, vaguely like-minded acts in an attempt to extend the vibe of the movie (which itself was created to extend the vibe of the book). There’s more at work here than two songs, though. Never underestimate the willingness of Beyoncé’s fans to demonstrate their devotion. So if you want to hear them, at least without hunting around on YouTube, you have to plunk down $11.99 for the whole album. The superstar singer has two tracks on the “Fifty Shades” soundtrack, neither of which is available for streaming on Spotify or individual purchase on iTunes. The first answer, as is so often the case, is Beyoncé. 1 right now on the iTunes chart? (To be clear, that means it’s beating Taylor Swift’s smash “1989” and all the big winners from Sunday’s Grammy Awards.) James’ mega-selling erotic novel.īut what is it that we want from the film’s soundtrack, which despite a lack of sex scenes that you can watch with your eyes is selling robustly enough that it’s at No. It’s pretty clear what many moviegoers are looking for from “Fifty Shades of Grey,” director Sam Taylor-Johnson’s big-screen adaptation of E.L.
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